Except for the software ecosystem which is the main driver of revenue for consoles and exists largely to support the sale and distribution of products from third parties, all of which is centrally controlled by the platform holder.
Someone else in the thread made the comparison to fuel, I'll go with that. Last time I checked, there was no such thing as petroleum DRM.
Sony doesn't DRM the power that you use to run the Playstation either. But to try and meet the comparison: there are different manufacturers of fuel just like there are different publishers of games and while Volkswagen can't force you to not put standard fuel in your car they can certainly void your warranty if you don't use premium (and fuel is still tested and regulated for industry compliance).
I'm getting a tad lost, though. The point of the sub-thread is that Sony does not have a monopoly over the video game industry. They get to choose which games are allowed on their platform and under what terms. Consoles and Cars both have proprietary components and open interfaces. A console and car have different purposes. And the average consumer has broad discretion to use cars and consoles from whatever manufacturer they wish to.
It's easy to get lost in arguments where analogies are used. They're almost always terrible and are the death of nuance and detail. Fuck car analogies, a car isn't a video game console.
Sony host a massive, massive marketplace. That's where their monopoly lies, they have end to end control over distribution of not only their games, but anyone else who chooses to publish on the platform, in addition to control over how those games are played and on what hardware.
This hands them an enourmous amount of power over the third parties that make up the majority of software sales on their store. The way they've constructed their ecosystem and services also greatly disincentivises it's users from switching. Games aren't cross-compatible, so buying in for another console means they have to either keep their console (which they could otherwise have sold) or give up their library. Even keeping both means having to choose for one online service over another. These kinds of decisions might not matter to someone over a certain socioeconomic status, but it still matters to many.
I don't think that a market of it's size should legally be allowed to exist. It's exploitative by default and I would be supportive of the EU recognizing Sony as a "Gate Keeper" under the Digital Markets Act and taking appropriate regulatory action.
If as a society we want to create an information age bill of rights and (1) protect hardware ownership and right to root (without exploits), (2) require platform marketplace neutrality, and (3) require digital intellectual property be distributed under lifetime irrevocable and transferable licenses, then I’d happily sign my name, and not least because you’re solving the problem at the core.
> And the average consumer has broad discretion to use cars and consoles from whatever manufacturer they wish to.
Until you actually buy one.
Obviously there are levels of wealth where this is all irrelevant, either because buying every console is a relatively minor expense or because you can't afford any console whatsoever, but for the people in the middle where you can more or less afford a console, once you buy into one, you're now kinda stuck with it.
Valve pivoting away from MacOS is a consequence of choices Apple has made for their platform, many of which made it a more hostile place for Steam to exist. This is baked into the long standing Apple model of software distribution, where API and architectural changes inevitably obsolete software with Apple usually providing only a limited time window for cross compatibility.
You can still play your purchases on an operating system that isn't actively fighting against you running them.
Volkswagen cars aren't a platform that fosters a billion dollar marketplace of third party sellers that contribute the bulk of value delivered by the product.
Physical PC games weren't great in the 2000s. Online activated serial keys, optical disc based DRM that caused problems during both the 9x>NT and XP>Vista transitions, the only thing that made PC gaming tolerable for me was gamecopyworld. Valve (eventually) offered something better than that.
PC games can still be physical. Burn some discs or copy the files onto a USB stick and put it in a box. I think it's crazy that boutique companies like Limited Run Games completely avoid the platform when it's the only one left that isn't actively hostile to the core principles of the company. Admittedly PC does have the image of being a digital distribution only platform these days, but it's illusory and breaking that illusion is a marketing problem.
People were pretty pissed about the xbox layoffs, it's just that things move fast and this was the next thing.
Their plan is to seemingly comprehensively test MTE on the Pixel 11 to see if it's usable for them. I'm not sure how that's "problematic", in fact it seems like it's exactly what they should be doing.
Their real focus is on their Motorola partnership, anyway.
They don't generate heat in the sense that heat is generated from nothing. If the AC is being powered by solar, then the energy that is powering the heat pump has already hit the earth and has become part of that system. The energy that would otherwise have hit the roofing and been radiated is more focused around the radiators, but as soon as that dissipates into the air the difference to the local climate isn't any different.
If the roof was white and reflective then a lot more of that light would be reflected, but most roofing isn't.
Your logic isn't really compatible with the laws of thermodynamics.
Solar energy is not just infrared, and infrared is not what is used by PV solar. So not it’s not equivalent and anyway doesn’t in any way impact the extra heating effect of a new heat source on the ground.
Instead of generate heat you could say they move heat if you like, from inside to outside.
All absorbed light gets turned into heat, infrared or otherwise (I'm not sure why you brought up IR?); solar panels catch some of that spectrum. I'm not sure what argument you're trying to make here, particularly given the second paragraph seems to contradict the first; "extra heating effect" (from where does this "extra" come from?) vs "you could say they move heat if you like" which yeah, not really about what I like, that's just how physics works, can't get any more fundamental than the law of conservation of energy.
You said that AC/heat pumps "generate" heat and if they were powered by fossil fuels, in an roundabout way they do. But if they're driven by solar, there's no long-trapped energy being expelled and therefore no "extra" energy added to the system beyond what the sun is providing.
Yes, for a time, there is a temperature difference between indoors and outdoors. Air conditioners push heat outside. But they reach equilibrium eventually. (At night, or I suppose in the autumn).
Similarly heat pumps (which is what air conditioning is) also push cold outside when you use them for heat, so the outdoor environment is colder than it would otherwise be, again until equilibrium is reached.
Similarly your refrigerator is cold inside but makes your home warmer.
My point was just that the -net- heat added to the city is zero if you’re using solar.
> Only obscure titles get truly lost. They are obscure for a reason.
They can be obscure for many reasons, only one of which are it's quality as a piece of art.
There was an album, "Begin", released by a group of session musicians calling themselves The Millennium. Released in 1968, it was a borderline experimental sunshine pop rock in the vein of Sgt. Peppers and Pet Sounds, with songwriting and production in the same ballpark. It completely flopped, having landed a bit too late, and made virtually zero impact on music history. It only started to get rediscovered by the public after some CD releases in the early 90s, but that mostly got it out of total obscurity into being an extremely deep cut.
But it's fantastic and in spite of it being out of it's time when it released in terms of genre, did a lot of cool experimental stuff that makes it sound shockingly modern. It's seen some greater recognition in recent years, but we're in literally another century. I found out about it through a Spotify recommendation and based on searches, so did a lot of other people. When it got recommended to me in the late 2010s the play count for most of the songs was in the low thousands, but it's gotten a bit higher now.
The album didn't get re-issued because of it's quality, but because CDs were booming and labels were looking for any old junk. There was also a resurgence of interest in baroque pop in that era. If the circumstances weren't just right, it would never have been re-issued, it'd likely have continued to be completely forgotten and I wouldn't have ended up listening to it and loving it.
Making no compromise to security is the entire point of it's existence.
reply