What if this is true mid or long term but by not participating to the AI race one gets poor or killed in the short term? The only way out would be that all parties agree to stop. There are previous examples (e.g. nuclear proliferation treaties) but it gets hard to do it with hundreds or thousands of parties.
I don't think it requires the agreement of that many parties. How many organizations/physical sites can create chips capable of training and running frontier models? That is your bottleneck. It is equivalent to targeting uranium enichment in nuclear arms control.
> No, they show what the respective government datasets contain
Which matches popular usage in the respective countries. Your example is a non sequitir for explaining why matching popular usage can't possibly work.
For the popular usage of major geographical features to change is extremely rare, so I am skeptical that it's a huge amount of work to keep up with changes in popular usage. People made maps before they had automated pipelines for ingesting geographical names.
My point isn’t so much that it would be impossible to do, more that it’s giving more power to the tech giants to define things however they wish (given they get to define “popular”). In this instance that would be a good thing but as a precedent I’m a lot less sure.
This is a power they already have. Google could ignore this change just as MapQuest has done. They are not legally compelled to follow government naming conventions, and I think it would be a clear first amendment violation to attempt to compel them to do so.
Yes, this was a great tragedy. I was very sad to see academics at the time arguing against Google providing what would have been one of the greatest storehouses of readily available knowledge in the world, in favor of an imaginary alternative that didn't exist and never would.
Copyright law desperately needs a production requirement or allowance.
The copyright owner must make new copies of the work available; the price must be no greater than the original price (not inflation adjusted). And if they fail to do so, anyone may produce copies and escrow the original price (less the cost of production) for collection by the copyright holder.
That means that orphan works are effectively in the public domain. Calculus professors can ask students to get the cheaper 2nd edition, not the latest 22nd edition. And a company like Google could make scanned works available in their entirety for a small amount of money for each work. And the copyright holder still gets their end, without having to arrange a printing or hold stock.
As a photographer, do I have to make every photograph that I've ever sold available to anyone to buy forever more? Can I refuse to sell a print to someone? I wasn't famous when I sold one for $20 back in the 90s... if I became famous, would I still need to sell that at $20 (inflation adjusted)?
What happens to limited editions of print runs? Can I not make a run of 200 prints anymore because the 201st will be something that someone could request?
Does a musician have to license any song they made to anyone who asks? Can they refuse to license a song to some organization they disagree with and not have it fall into the orphan works category?
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Amending copyright to the way you describe requires a renegotiation of the TRIPS agreement ( https://en.wikipedia.org/wiki/TRIPS_Agreement ) with all the nations of the WTO (or withdrawing from the WTO).
Under my proposal, if someone wants to make prints of one of your old photographs, you are getting ~$20, which is ~$20 more than you are getting now. So it doesn't seem like a damage to you. If you get famous and now you could sell a print for $2,000... how is this helping society since the work has already been produced, so no new incentive is necessary?
I suppose the rule could make reference to a rival good, i.e. the 22nd and 23rd editions of the calculus textbook. It should not be reasonable for the publisher to make the 22nd edition only available for $1,000, and the 23rd edition for $250. But that definition would invite many lawsuits and chilling litigation in general. A clear definition based on the historic price is much simpler.
You can still number your limited runs, and your limited runs still have increased numismatic value over some other reproduction.
I don't envision licensing of performance rights in this system, just recordings or reproductions.
Is this a reduction of the rights granted by copyright? Yes, intentionally so. It is stripping copyright holders of the right not to copy, against the interests of society in granting that copyright in the first place.
In the hypothetical, when he becomes famous, someone making prints for $20 is $1,980 less than what he would be getting now so the damage is $1,980 per print.
Both the purchasers of the print and the photographer are part of society. Under your proposal, some purchasers will spends $20 on a print that they would of have been willing to spend more than $2000 for, so the purchaser gained at least $1980 of excess value while the photographer gains $20. In your view, how is a purchaser of art gaining $1980 of value helping society?
There is so much misinformation/confusion about this... they go sued after lending "unlimited" copies, but they were sued (and lost) for lending exclusive copies (controlled digital lending):
> “At bottom, [the Internet Archive’s] fair use defense rests on the notion that lawfully acquiring a copyrighted print book entitles the recipient to make an unauthorized copy and distribute it in place of the print book, so long as it does not simultaneously lend the print book,” Judge John G. Koeltl of the U.S. District Court in Manhattan wrote. “But no case or legal principle supports that notion. Every authority points the other direction.” [0]
> Like if you read Dickens, will you know enough about the industrial revolution, the condition of cities at the time, and such?
We did talk about these things in English class in high school. The teachers would lay out the historical/social/cultural context of each book we read. Did your school not do that?
It still feels academic though. Suppose your response to that is, "Well, suck it up, its formalized".
I'd argue that it'd be worse if you could teach your book, and a 50 year old who both has rich lived experience and grew up in the time period the book was talking about has the exact same understanding of said book as a bored edgy 16 year old.
Either you're a godly teacher, or chances are the book doesn't have much depth. And maybe you are a really good teacher, I certainly wouldn't want to teach public school teenagers for a job. But while I'm charitable to teachers, I'm also charitable to the depth of novels.
I read Dostoevsky when I was 16 and I'm still learning more things about him and myself a decade later.
There are books that I read every decade or so, and there is always new insight. Sometimes I will identify with an older character and see the entire story through their eyes.
Often times an interesting novel will prompt me to study the cultural context independently.
There was still tremendous value in exposing myself to Dostoyevsky as a teenager. I have observed myself make the same mistakes as his characters, blinded in the moment by emotion. He had so much insight into human nature - but even if forewarning doesn't prevent us from folly, it can highlight a path to acceptance, repentance or redemption that otherwise may take a lifetime of self-reflection.
I don't mean that in a religious context, if that matters.
Several of our English and History classes were paired on purpose for just this reason. We'd be reading Dickens while study that era, or Catch-22 when studying WWII and the immediate post-War era, etc.
That said, I'm also frequently amazed at the stuff some people didn't learn that I clearly remember being covered in school...
This was my thought as well. They were teaching us not to just read the words for their face value, to imagine the time and place the events occurred within.
Honestly, this is why at the conclusion of many books we would watch the movie (when available). Many movie adaptations are period pieces in terms of fashion and depicting struggles/victories that contemporary readers may not be able intuitively grasp.
Some do. It all comes down to whether the local government cares/thinks about this when setting up ordinances and approving PUDs. I was also appalled when I moved from a place that did this to one that didn't. There were so many obvious opportunities to improve connectivity with a few hundred square feet of easement.
Whatever the merits of the rules themselves (which I think are estimable), the OSR "ecosystem" is buoyed up by a huge network effect. I would wager that just the list of official D&D modules from the 80s, all of which are easily playable in something like OSE, dwarfs the amount of support that's available for all of those other games combined. That's not counting the many many additional adventures, settings, rules addons, megadungeons, GM aids, etc. that have been created in the last 20 years for various OSR games, which are mostly cross-compatible. It's very hard to come in fresh and compete with that.
Same reaction! I just drove by it... taking a careful note after seeing it in the article. It does appear a bit keep-like, but that's a stretch. Maybe if the surrounding roads were replaced with walls/battlements/ramparts and such?
What if the most dangerous strategic adversary you have is the one you are building?
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